We cannot ignore that Deha Vānī transpires the cinema of Apichatpong Weerasethakul. This film invites us to another kind of fruition, a flirtation with other arts, such as dance and the visual arts, identifying in cinema a possibility of crossing boundaries or, in the words of Ruy Gardnier regarding “Joe” – very pertinent here – an artistic project that “demands a certain savageness of signs, an opacity (sometimes only apparent) of the signifieds and a raw beauty of the signifier that no language already constituted that we are used to could handle ”. A man seeks to reconcile himself with …